I'm also glad I bought the Delay Llama when I did because I just saw that the store I got it from has raised the price by 12.5%. It sounds great in the effects loop of my Marshall SC20 combo. I plan on keeping it off my pedal board and having it to use when I only need to take a few pedals to a gig. powered by standard 9V negative centre (the Replica requires it's own 12V wall wart, included with the pedal) more tweakable using internal trim pots (One sets the maximum number of repeats, and the other sets the fade out time.) this was the deal killer with the delay lab without an expression pedal So switch 1 I got subtle slap back to bouncing marbles, switch 2 subtle dotted 8ths for leads to full on dub runaway, switch 3 subtle plate reverb to wet and surfy.no spring here though, but my amp has that covered Yeah, the pedal is big, but it covers so much ground. See 1 musician review, how 5 pros use it, and where to get a deal on Jam Pedals Delay Llama, rated 4.5 of 5. Pros + A wealth of inspirational tones, from gorgeous delays to pitch madness. It's packing a host of great ideas, all superbly executed. Price Guide Excludes Brand New, B Stock, Fair, Poor, and Non-functioning. You can also set the bypass mode to trails (buffered) or true bypass. Delay 100 analog True bypass Left footswitch engages the HOLD function Internal trimmer (blue rectangular trimmer) sets the amount of maximum repeats. three subdivision choices (the Replica has two) Jam Pedals Delay Llama, Guitar Pedals & Effects. The Delay Llama delivers on its promise to take analog delay to new extremes, but retains an extremely musical tone no matter how it's set. Looks like Jam Pedals is updating their Delay Llama (red pedal) with extra functionality: Tap Tempo with subdivisions and Hold (self oscillation) functions. If anything, the Llama is very slightly brighter sounding. JAM Pedals CTRL Box The JAM Pedals CTRL Box is a compact break-out box that gives you access to and control (CTRL) over TAP Tempo and the 4 presets of the. I would find it difficult to pick one in a blind test. (However, one review describes the Replica as having analog circuitry controlled by two 24-bit Burr Brown converters. Right off I can say that to my ears they both have a sound that is incredibly smooth, organic and warm, even though the Replica is a digital delay. (I can't tell you if they are still using it or not.) I bought mine as soon as it was available in Canada ten years ago, and have used it at almost every gig. For those who aren't familiar with the Replica, it has been seen on stage with some big names, such as David Gilmour, Carlos Santana, John Mayer, and Steve Morse. The Delay Llama series is firstly designed with one thing in mind : Tape-Echo A fully analog, true-bypass, lo-fi delay pedal with a maximum delay time of. delay time, and can also be used with bass guitars.I have been spending some time comparing the Delay Llama and the T-Rex Replica. The Delay Llama mk.3 comes with 600ms max. The Delay Llama XTREME is equipped with 800ms of max. You can also set the bypass mode to trails (buffered) or true bypass! The mk.3 version expands on the utility value of this modern classic, while retaining the form factor and ease of use, by introducing Tap Tempo with subdivisions and Hold (self oscillation) functions. Its straight-forward layout is addressed to delay users who are looking to elegantly enhance their hard-earned tone, similarly to how a tape-echo machine would with no frills. One of the pedals it is known to play very nicely with is the. Its neutral nature just gives you more from your amplifier, and it also allows the Centaur to pair nicely with other, more tone-coloring pedals. The Delay Llama is a tone machine that will become an indispensable part of your sound adding warmth and depth through organic repeats which seamlessly integrate into your playing, courtesy of its BBD chips, faithful reproductions of the Panasonic MN3205. All controversy and cost issues aside, the Klon Centaur is a spectacular pedal for stacking.
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